ARTO Movement

Yeah, you heard me. Think I’m joking? Nope. And no, I’m not just trying to get your attention. By the way, if you’re a successful artist, this article isn’t for you. I hate you. Go away. Now move along...… Still here? Alright, let me tell you why you should stop being an artist. Let's address the elephant in the room: as an artist, you suck. You're not exactly selling like nasi lemak. No matter how many paintings, sculptures, or prints you produce, they're just not flying off the walls. The occasional red dot on your artwork's nameplate might have felt like a victory, but let's face it, those moments were few and far between. So, what do you do? You keep pouring money into canvas, paint tubes, and brushes, convincing yourself it's an investment for the future. But in reality, your studio space is slowly turning into a dusty storage unit, filled with unsold creations that seem more like burdens than assets. And we're just talking about those random open-c...

Malaysian 'CONTEMPORARY ART' Problems by Oshinobi お忍び

Nowadays, almost every fine artists and craftsmen in Malaysia uses the word 'contemporary art' to describe their artworks. Sure, 'contemporary' is a pretty sweet candy, like a fondant topping on top of a regular looking cake, used to attract possible buyers and admirers. Liam Gillick, an influential art critic accused the word for having an excessive usefulness. You can say that it is in the same category as strong words like 'organic' or 'premium'. A marketing ploy. But, what is 'contemporary art' anyway? Why is it becoming such a strong and popular word to advertise almost everything? And why our collective believe that contemporary art is facing many problems in Malaysia? First, let’s have a look at the linguistic meaning of that word. Artworks made by students of UiTM last year. In your opinion, which is more suitable to be given the classification of ‘contemporary art’? The Confusion in the Meaning of the Word In Oxford Dictionary, ...

Critical Reflection: On Khairul Ehsani Sapari’s 'Where Your Dreams Come to Die (But, Hey, It’s All About the Journey, Right?)' by Amir Amin

Critical Reflection: On Khairul Ehsani Sapari’s 'Where Your Dreams Come to Die (But, Hey, It’s All About the Journey, Right?)' Reading Khairul Ehsani Sapari’s article, Where Your Dreams Come to Die (But, Hey, It’s All About the Journey, Right?) was like staring at a mirror that didn’t flatter but reflected truths I both knew and tried to ignore. I approach this reflection not as a distant reader, but as an insider—an art practitioner, teacher, and observer of the Malaysian art scene. The article’s biting sarcasm, caustic humor, and bleak yet accurate picture of post-graduation life in the arts resonated deeply. Though at first glance it reads like satire, there is sincerity within the cynicism. This essay attempts to critically reflect on the themes presented, unpack their implications, and consider how they align with my lived experiences and observations in the local art industry. The Tone of Brutal Honesty (Laced with Humor) From the opening line, the tone is unapol...

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