The art world can be a confusing landscape, particularly for those unfamiliar with its terminology. Two terms often used interchangeably are ‘art gallery’ and ‘art exhibition’. While both are essential components of the art experience, they hold distinct meanings.
What exactly is an art gallery, and what is an art exhibition? What are the key differences between these two? Lend me your ears, or in this case, your eyes, and help me entangle this mystery.
To answer the first question, what is an art gallery? At its core, an art gallery is a place where artworks are displayed. The dimensions of an art gallery range from as small as a few hundred square feet to thousands of square feet. In addition to varying in size, art galleries also vary in style. Galeri Puteh, for example, has an open-plan style, whereas the Balai Seni Negara has a more traditional, gallery-like style.
In Malaysia, we have a diverse range of galleries: 1) Public art institutions like Balai Seni Negara, Bank Negara Malaysia Museum and Art Gallery which also include state museums and galleries (Penang State Museum) and, privately run and funded space (Islamic Art Museum, Rimbun Dahan), 2) Private art galleries (Taksu KL, G13 Gallery, Segaris, Galeri Puteh, and more), 3) Artist-Run Spaces (NafaSyahdu Artspace).
Now that we have clarified the basics of what is an art gallery, the next question to be answered is what an art exhibition is. So, what is an art exhibition? Art exhibition refers to displaying certain pieces of art that typically but not exclusively take place in the art gallery. Art exhibitions can take place in public spaces such as parks, libraries, et cetera. Other than physical exhibitions, some only take place online, especially during the pandemic and post-pandemic era. Exhibitions often have a central theme, or they can focus on the artists (solo, duo, trio, or group exhibitions). This curated selection engages viewers with a specific concept or artistic perspective.
Now that we have clarified the distinction between an art gallery and an art exhibition, please let me continue my rambling on the recent art exhibition that I went. A few weeks ago, I had the opportunity to visit NafaSyahdu Artspace at Meru, Klang to view the IT’S OPEN exhibition by ARTO Movement.
When I first stepped into the space, I was immediately struck by the welcoming atmosphere. NafaSyahdu Artspace is a new art space at Meru, Klang, once was a studio space for NafaSyahdu Art Group. IT’S OPEN by ARTO Movement is the recent exhibition that is held at this space. IT’S OPEN is an exhibition curated by the ARTO Movement which focuses on young and emerging artists.
The exhibition’s salon-style hanging, where artworks are densely arranged, initially appears chaotic. However, upon closer inspection, a thematic order emerges. The curators strategically grouped artworks by style, such as figurative and surrealist pieces on separate walls. This arrangement guides viewers’ experience, allowing them to appreciate the exhibition’s thematic exploration.
My visit to the IT’S OPEN exhibition exceeded my visual expectations. It proved to be an intellectual and emotional journey. Every artwork challenged me to think deeper and feel more intensely. For example, Muhammad Amzar’s Sisa-Sisa has made my eyes teary as I contemplated the artwork. The use of facemasks as the subject matter, with just a few words, brought back memories of the time during Movement Control Order (MCO). It opened my eyes to the power of art as a tool for communication beyond aesthetics. Art can spark ideas, evoke emotions, and ignite conversations.
Another interesting artwork that caught my eye was "Sunflower Girl" by Te Ker Sin. As the curators informed me, they chose this young artist, not simply for her age or to promote inclusivity by featuring young artists in general, but because they believe this type of exhibition provides a platform for such young talents to flourish and develop into accomplished artists. Te Ker Sin’s artwork, her choice of medium – pastel and pencil color on paper - lent a dreamlike quality to the piece, perfectly complementing the surreal nature of the subject. The artwork depicts a young girl, not with a sunflower held close, but where her head itself has transformed into a magnificent sunflower.
The entire experience at IT’S OPEN was truly inspiring. The organizer’s commitment to empowering artists, especially the young ones and fostering a culture of art accessibility, regardless of background or financial means, was particularly moving. This dedication to inclusivity underscores the vital role art plays in fostering a more empathetic and culturally rich society. Art, as I now understand, can bridge divides, promote understanding, and cultivate a sense of belonging.
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